DOA: The Good The Bad and The Beautiful

APRIL 5 – MAY 25

GUSFORD | los angeles
7016 Melrose Avenue
Los Angeles, CA
90038

http://www.gusfordgallery.com

Group  Show

W-A-R

May 23 –  June 20

Jacob’s Island Gallery
56 Butler’s & Colonial Wharf
10–11 Shad Thames
London SE1 2PY

http://www.jacobsisland.co.uk

Hugh Mendes: Obituaries

23 Feb – 31 March

Charlie Smith, London

336 Old Street
London EC1V 9DR

http://www.charliesmithlondon.com

Group Shows:

‘The Id, The Ego & The Superego’  (Jackson, Mendes, Nolan)

Oct 10th – Nov 17th 2012

Charlie Smith, London

336 Old Street
London EC1V 9DR

http://www.charliesmithlondon.com

‘The Future Can Wait’

B1, Victoria House, Bloomsbury Square, London, WC1B 4DA

October 9th-14th 2012 11am-6.30pm

‘The Serpent’s Tail’

08 Sept – 06 Oct 2012

Witzenhausen Gallery, Amsterdam

Hazenstraat 60
1016 Sr, Amsterdam

http://www.witzenhausengallery.nl

‘The Perfect Nude’ (curated by Dan Coombs & Philip Allen)

05 June –  05 Aug

Charlie Smith, London

336 Old Street
London EC1V 9DR

http://www.charliesmithlondon.com

‘New Generation British Painters’

7 Apr – 12 May

Marine Contemporary Gallery

1733, Abbot Kinney Blvd.,

Venice, Los Angeles

CA. 90291

http://www.marinecontemporary.com

‘The Id, The Ego & The Superego’

4 May – 3 June

Galerie Braubachfive

Braubachstr. 5

D-60311 Frankfurt
www.braubachfive.eu

9 September – 1 October 2011

Location: Kenny Schachter/ROVE Gallery, Lincoln House, 33-34 Hoxton Square,
London N1 6NN
Opening hours: Monday – Saturday 10 – 6 and by appointment

Web: www.rovetv.net

8.46 EDT/13.46 GMT, September 11th 2001
‘Only love and then oblivion. Love was all they had to set against their murderers.’ Ian McEwan

‘The work of Hugh Mendes freezes the fleeting moments of Fleet Street by preserving the ephemeral nature of newspapers, and the historical content they inevitably contain, embalming them in paint and canvas forever. Rather than perusing headlines like junk food, we are left with a lasting taste of the social and political to ponder at will and at length.’ Kenny Schachter

Throughout human history there have been certain moments and events that have affected global consciousness in such a profound way that the world stands still. On September 11th 2001, we experienced one such moment as the twin towers came crashing down in New York. Now, on the 10th anniversary, Hugh Mendes looks back over his personal record of the 9/11 attacks and the aftermath presented through painting, drawing and original newspaper clippings.

Mendes has been painting images of newspaper clippings for the last ten years. They came to prominence in his work following 9/11, which was the day of his MA graduation. That day he showed a painting of Osama bin Laden pointing a gun at a triumphant George Bush. It had been painted about a month previously in response to Bush’s contested election victory. As the external examiners were marking the show, Mendes absentmindedly turned on the TV at home. The first thing he saw was the second plane flying into the twin towers and he started videotaping immediately. It was not until the next day that he realised the Arab with gun clipping that he had found blowing down Brick Lane, was of Osama bin Laden. It seemed a shockingly prophetic painting. He then collected all the papers for the next week, and made a series of paintings sourced from the coverage of the 9/11 attacks. It catapulted him into working exclusively with newspaper clippings as source material. He has explored the repercussions of the so called ‘ War on Terror’ and the subsequent devastation of the wars in Afghanistan and Iraq.

With the rather timely killing of Osama bin Laden, this memorial exhibition represents a selective history of the last decade and how it has been described to us through the media. Transcribing newspaper articles, the paintings filter the information we receive on a daily basis to give us only hints at what is happening. While having a focus on the fall out of the 9/11 attacks, we also catch a glimpse of what else is considered newsworthy. Exercising his own journalistic integrity, Mendes presents his potted history of the last decade, showing the devastating alongside the more trivial. A painting of Farrah Fawcett’s obituary sits alongside a clip referencing the 9/11 trials. Nothing is too extreme or too banal. We are given facts but out of context. It is Mendes’ own personal newspaper.

Canongate Venture
5 New St., Edinburgh, EH8 8BH
4 Aug – 4 September

400women.tumblr.com

11 Mare Street, London E8
Viktor Wynd Fine Art Inc

List of Artists:

Leonora Carrington, Natasha Chambers, Oliver Clegg, Angela Cockayne, Adam Dant, Jill Tegan Doherty, Annabel Elgar, Noel Fielding, Nancy Fouts, Jen Franklin, Maria Teresa Gavazzi, Bert Gilbert, Carolyn Gowdy, Marcelle Hanselaar, Andy Harper, Lynn Hatzius, Paul Hazelton, Aly Helyer, Dan Hillier, Jimp, Nicholas Jolly, Damien Meade, Hugh Mendes, Raul Pina, Max Reeves, Steph von Reiswitz, Paul Sakoilsky, Lindsay Sekulowicz, David Spero, Tatiana de Stempel, Samantha Sweeting, Raisa Veikkola, Jessica Voorsanger, Daryl Waller, Kate Walters, Simon Willems, EC Woodard.

www.thelasttuesdaysociety.org

Kunstmuseum St.Gallen,
Museumstrasse 32,
CH-9000 St. Gallen, Switzerland

www.kunstmuseumsg.ch

3 July – 24 Oct ’10

Museum der Moderne, Salzburg,
Monchsberg 32,
5020 Salzburg, Austria

www.museumdermoderne.at